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Product Description Harold Crick (Will Ferrell) is a dour Chicago auditor for the Internal Revenue Service who is awakened alone each morning by his Timex watch, eats alone, counts the number of steps he walks for fun, focuses on ways to save time tying his tie, and brushes his teeth exactly 76 times (38 vertical strokes, 38 horizontal). One day, Harold begins to hear a voice that describes his thoughts and actions as if he were a character in a book. Harold attempts to communicate with the speaker, but soon realizes the voice does not know that he can hear it. The voice of his daily narration is actually that of author Karen Effiel (Emma Thompson), an author writing his story though she believes it to be fictional. Crick's bewilderment soon turns to anxiety when the voice narrates that his watch has set in motion a series of events that will result in his imminent death. Amazon.co.uk Review Much was written about Will Ferrell's first "dramatic role" as Harold Crick, an IRS auditor who begins hearing a voice narrating his life. But Stranger Than Fiction is hardly a drama. However, what Ferrell does--like Jim Carrey before him in The Truman Show--is handle a toned-down character with genuineness and affection: you believe he is this guy. Crick leads a lonely life filled with numbers and routines. While at first he considers the voice a nuisance, Crick decides more action is needed when it speaks of "his demise." Enter Professor Jules Hilbert (Dustin Hoffman), who takes on the absurd notion with revelry, trying to find out what kind of book Crick's life is leading. It turns out that the voice Crick is hearing belongs to Kay Eiffel (Emma Thompson), a very real--and troubled--author who is writing a book in which Crick is a fictional character. As usual with these things, the stuffed shirt learns to live a better life--Crick even falls for one of his audits, a brash baker named Ana (Maggie Gyllenhaal).Marc Foster (Monster's Ball, Finding Neverland) has the right tone for the film, using great urban scenes (the unnamed city is Chicago) with interesting visualisations of Crick's world of numbers. He also directs Ferrell, Hoffman, and Gyllenhaal to their most charming performances (plus Linda Hunt and Tom Hulce pop up in two funny scenes). Ferrell succeeds in being a romantic lead you can root for; a scene where he eats Ana's freshly baked cookies is totally delightful without a hint of sarcasm. Screenwriter Zach Helm has two personal traits with his story: like Crick he followed his heart (he stopped re-writing scripts and only worked on his own) and like Eiffel, the final results are not a masterpiece, but good, and entertaining enough. Britt Daniel of the band Spoon worked on the dynamite soundtrack. --Doug Thomas