Very Good - We have carefully checked this item for you. The cover/inserts will be included. The box/case will be included. The discs will be included. Very Good Condition: 'To us' this means the case, inserts and discs will be in excellent used condition and will be in full working order. It will show almost no signs of wear (or very little). Ideal for collectors who want items in all-round great condition. Please presume that any reference to a UV/digital copy will not be applicable, as this is a used item. Comes with a 60-day warranty.

Product Description Third part of Universal's classic horror trilogy. Katherine (Louise Allbritton) is a student of the occult, fascinated by Count Alucard (Lon Chaney Jr), who has recently moved to her home town in the south of the US. Katherine secretly begins dating Alucard, eventually marrying him. But when she begins to look and act strangely, her former boyfriend Frank (Robert Paige) suspects that something is wrong. From Amazon.co.uk It was perhaps inevitable that, after playing the Wolf Man, Frankenstein's monster, and the Mummy, Lon Chaney Jr. would round out his horror resumé with a turn at the great bloodsucker himself (not, as the title would suggest, his son). Looking dapper and dignified under the cape, if not exactly threatening, Chaney plays Count Alucard (that's Dracula spelled backwards), a mysterious Carpathian summoned to America by a "morbid" heiress (Louise Allbritton). Eric Taylor's script is rather clunky, but the story (by horror specialist Curt The Wolfman Siodmak) is often quite clever, playing like a supernatural twist on a psycho-thriller. Allbritton's frustrated fiancé Robert Page accidentally "kills" her while trying to shoot Alucard (who imperiously stands up to the hail of bullets) and then goes stark raving mad as he watches the dead rise to life and the living disappear in wisps of smoke and morph into creaky stage bats. Future film noir legend (and Curt's brother) Robert Siodmak (The Killers) does wonders with the swampy, misty Deep South setting despite his obviously threadbare budget, transforming the usual clichés into moments of inspired melodrama. Only the clumsy antics of the skeptical cops and the plodding exposition spouted by an old Carpathian doctor (he just happens to be the local MD) get in the way of this moody minor horror gem. --Sean Axmaker