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FREE DELIVERY ON ALL UK ORDERS • WORLDWIDE DELIVERY AVAILABLE
FREE DELIVERY ON ALL UK ORDERS • WORLDWIDE DELIVERY AVAILABLE
GTIN / Barcode: 5037115051134
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Original price £13.29 - Original price £13.29
Original price
£13.29
£13.29 - £13.29
Current price £13.29
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Odd Man Out is a British classic from 1947 that fits the film noir definition in almost every respect. It's one of the milestones of its era, highlighted by what is arguably the best performance in the illustrious career of James Mason, here playing the leader of an underground Irish rebel organisation, who is seriously wounded when a payroll heist goes sour. Left for dead by his accomplices on the streets of Belfast he's forced to hide wherever he can find shelter and as his gunshot wound gradually drains his life away, his lover (Kathleen Ryan) struggles to locate him before it's too late.

Very Good - We have carefully checked this item for you. The cover/inserts will be included. The box/case will be included. The discs will be included. Very Good Condition: 'To us' this means the case, inserts and discs will be in excellent used condition and will be in full working order. It will show almost no signs of wear (or very little). Ideal for collectors who want items in all-round great condition. Please presume that any reference to a UV/digital copy will not be applicable, as this is a used item. Comes with a 60-day warranty.

Although the IRA and Belfast are never mentioned by name, this film was a daring and morally complex examination of Northern Ireland's "troubles" and the compelling tragedy hasn't lost any of its impact. A study of conscience in crisis and the bitter aftermath of terrorism, this was one of the first films to address IRA activities on intimately human terms. Political potency is there for those who seek it, but the film is equally invigorating as a riveting story of a tragic figure on the run from the law, forced to confront the wrath of his own beliefs in the last hours of his life. It was this brilliant, unforgettable film that established the directorial prowess of Carol Reed, whose next two films (The Fallen Idol and The Third Man) were equally extraordinary. --Jeff Shannon

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